The award-winning Muslim and Jewish theatre company, MUJU crew, have brought Come In! Sit Down! to The Tricycle Theatre in celebration of their tenth anniversary. The piece is a devised sketch show, tackling perceptions of Muslims and Jews in Britain, and … Continue reading →
It’s Virgie’s 81st birthday, and she gathers together her friends and family for a celebration, and an important announcement. Virgie intends to kill herself. The play follows the reaction to Virgie’s declaration and explores how the choices we make can … Continue reading →
Taken from the famous 1960s recordings by Mel Brooks and Carl Reiner, this specially commissioned adaptation is a live re-creation of material from The 2000 Year Old Man sketches, in which an interviewer questions a man who claims to be … Continue reading →
Bradford. On the eve of a Conservative Party Conference the country is in turmoil and one of its most multicultural cities awaits a visit from the Prime Minister. Multitudes, a play by actor and new writer John Hollingworth, focuses on a … Continue reading →
Lionboy is this year’s family show at The Tricycle Theatre. Suitable for everyone aged 8 and up, it’s a riotous adventure based on Zizou Corder’s novels. Elsie Oulton, 13, went to review it for West Hampstead Life; here’s her verdict. … Continue reading →
Loyalty, written by Sarah Helm, is set during the run-up to the Iraq war, and around the period of the inquiry into it. She brings a unique insight into the machinations of government at this time – she is the … Continue reading →
Academy-award nominated Murray Schisgal’s play is something of an oddity. For a start it’s only 40 minutes long. Daniel Dresner is Marty, a man returning to the home of his Brooklyn youth. Nathan Clough is Joseph, the current tenant of … Continue reading →
Pentameters Theatre (the little one above The Horseshoe pub in Hampstead) has a Noël Coward double-bill on at the moment. In 1935, Coward penned a series of short plays in a series called “Tonight at 8.30” and two of them … Continue reading →
small hours is different. It would be as at home at Tate Modern as it is in the Hampstead Theatre’s Michael Frayn space. Indeed as the small audience (restricted to just 25 per performance) assembled in a hallway, we were … Continue reading →
This was my first time at Hampstead’s smallest theatre. Pentameters is a tiny space with about 50 seats, accessed from some narrow stairs behind The Horseshoe pub on Heath Street. The stage is surprisingly big and, for this adaptation of … Continue reading →
