Indhu Rubasingham, entering her second year as Artistic Director at the Tricycle Theatre, has announced the new season of plays and some changes to the seating policy. The new season opens in September with the UK première of Colman Domingo’s … Continue reading →
Loyalty, written by Sarah Helm, is set during the run-up to the Iraq war, and around the period of the inquiry into it. She brings a unique insight into the machinations of government at this time – she is the … Continue reading →
Earlier this week, the popular and very highly regarded Cock Tavern Theatre in Kilburn was forced to close temporarily when it was discovered that the pub above which it operates didn’t have a licence for “upstairs entertainment”. It was hoped … Continue reading →
Academy-award nominated Murray Schisgal’s play is something of an oddity. For a start it’s only 40 minutes long. Daniel Dresner is Marty, a man returning to the home of his Brooklyn youth. Nathan Clough is Joseph, the current tenant of … Continue reading →
Pentameters Theatre (the little one above The Horseshoe pub in Hampstead) has a Noël Coward double-bill on at the moment. In 1935, Coward penned a series of short plays in a series called “Tonight at 8.30” and two of them … Continue reading →
small hours is different. It would be as at home at Tate Modern as it is in the Hampstead Theatre’s Michael Frayn space. Indeed as the small audience (restricted to just 25 per performance) assembled in a hallway, we were … Continue reading →
This was my first time at Hampstead’s smallest theatre. Pentameters is a tiny space with about 50 seats, accessed from some narrow stairs behind The Horseshoe pub on Heath Street. The stage is surprisingly big and, for this adaptation of … Continue reading →
Midsummer was a hit at Edinburgh. It is actually set in Edinburgh at midsummer and is simply a story of boy meets girl, or rather girl meets boy. The girl is a divorce lawyer, the boy a petty criminal. Over … Continue reading →
If Martin Scorsese collaborated with Tennessee Williams, you might end up with something like Gary Lennon’s superb .45. Set in New York’s Hell’s Kitchen in 1977, this play bristles with sexual tension, moral ambiguity hangs thickly in the air, and … Continue reading →
Holly Penfield has a one-woman show (+ band and bartender!) at Hampstead’s New End Theatre. The Saloon Singer sees the cabaret artist link together a collection of songs from “One for the Road” to “Rhythm of Life” via “The Boys in … Continue reading →
